My work investigates how meaning is constructed through image, pattern, and perception. Drawing from the natural world—animals, plants, and environmental forms—I develop visual systems that move between representation and abstraction.
These images often emerge through repetition, layering, and transformation. They are not fixed illustrations, but evolving structures that invite sustained looking. Light, surface, and material play an essential role, shaping how the work is experienced over time.
Recent projects explore sequence and accumulation, including works that extend into installation and book-based forms. Across media, I am interested in how images can function as a kind of language—one that operates through rhythm, variation, and visual relationships rather than narrative alone.